20th FIAP NATURE BIENNIAL

Obavještavamo zainteresovane autore da mogu dostaviti svoje radove za FIAP – ov 20. BIJENALE PRIRODE, koji se ove godine održava u Rusiji.
Dostava radova je do 15. 02. 2020. godine.
Kolekcije AUFBiH na pomenutom Bijenalu predstavljaće:
-20 fotografija (kolor ili crno-bijelih) koje će ići u sekciju radova za projekciju (jedan autor može biti zastupljen maksimalno sa dva rada ) i
-10 fotografija (kolor ili crno-bijelih) koje idu u sekciju printanih radova (jedan autor može biti zastupljen maksimalno sa jednim radom).
Kolekcije moraju biti koherentne, kako sa stanovišta inspiracije i koncepcije tako i u pogledu same realizacije i prezentacije. Kako bi izbor kolekcija bio bolji i kvalitetniji, ostavljamo autorima mogućnost da pošalju maksimalno 4 fotografije na temu PRIRODA ( po FIAP-ovoj definiciji prirode, bez tragova uticaja čovjeka). Mole se autori da ne dostavljaju radove koji su već bili u prethodnim kolekcijama AUFBiH za FIAP Bijenala. Radovi se dostavljaju u JPG formatu, rezolucija 300 dpi, duža strana fotografije treba biti 3500 pixela, kvalitet 10.  Nazivi radova trebaju biti na engleskom jeziku.
Svi autori čiji radovi budu izabrani u kolekciju dobiće štampani katalog Bijenala (21×21)cm i CD.  Troškove printanja i slanja radova za Bijenale snosi AUFBiH. Radovi se dostavljaju elektronskim putem na e-mail adresu: [email protected]
Milorad Kašćelan, MF AUFBiH, EFIAP/b, Koordinator kolekcija AUFBiH

FIAP definicija prirode  /FIAP Definition of Nature Photography/
Nature photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archaeology, in such a fashion that a well-informed person will be able to identify the subject material and certify its honest presentation. The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality. Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces, like hurricanes or tidal waves. Scientific bands, scientific tags or radio collars on wild animals are permissible. Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement. No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted. Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning. Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed. Stitched images are not permitted. All allowed adjustments must appear natural. Colour images can be converted to greyscale monochrome. Infrared images, either direct- captures or derivations, are not allowed. Images used in Nature Photography competitions may be divided in two classes: Nature and Wildlife. Images entered in Nature sections meeting the Nature Photography Definition above can have landscapes, geologic formations, weather phenomena, and extant organisms as the primary subject matter. This includes images taken with the subjects in controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.